Festival Of Quilts 2022 Winners

I still have lots more photos to share but my file is muddled so here are the winners while I try to organise…

PT53- Impresion. Tramonta en Venecia, by Immaculada Gabaldan, Spain.

(Pictorial Quilt -quilter’s description as in catalog – fabrics, most of them hand dyed by me, thread, batting. Appliquee and quilting by domestic machine with this quilt I have tried to show the beauty of a sunset over the river del vin in venice, trying to give it the appearance of an impressionist painting, blurring the real contours. I don’t know if I have achieved my goal, but this is the result.)

CT17 – New Perspectives, by Helen Butcher, Raveningham, UK

(Contemporary Quilts – Commercially printed cottons with cotton batting and backing. Foundation Paper piecing for main blocks & miniatures. I have always loved 3-D imagery and wanted to create a contemporary version of a traditional sampler – complete with corner stones. I also had great fun choosing the fabrics for this piece. This new design now forms my latest Block of the Month on my website http://www.littlepatchpockets.co.uk )

NV27 – Spectrum, by Antari Forster, Aylesbury, UK

(Novice Quilt – cotton fabrics, 80/20 & poly wadding, silk and poly threads. Curved piecing, trapunto, turned edge applique, FMQ, SITD, ruler quilting done on static domestic machines. This piece is designed and pattern drafted by myself, putting into practice different techniques I’ve been learning tis past year. The spectrum of colours are chosen to represent life, which is full of colours. The style of my design is inspired by Philippa Naylor’s amazing quilts. )

This was also a Judge’s Choice, but my pic is blurry.

PT25 – Las dos caros del teatro (The two Theatre faces), by Maria Ragusini, Italy

(Pictorial Quilts – Tulle, cotton fabric, cotton threads. Fabric mosaic. Inspired by a roman mosaic representing the theatre Muses Melpomene (tragedy Muse) and Talia (comedy Muse). )

YQ6 – Earthing Underground, by Karalee Kell (age 8), York, UK

(Young Quilters, sponsored by Brother,theme for 2022 “Going for Gold” age 5-9 – Cotton, Velvet, Felt, Sequins, Embroidery Threads. Patchwork, applique, back stitch, ladder stitch and machining.Going for Gold was the theme and I learnt about layers of the ground at school and I like gardening. Degree of Adult Involvement – minimal.)

YQ18 – Golden Glory, by Bethan Candlin (age 11), York, UK

(Young Quilters 10-13 – satin, embroidery thread, cotton, 80/20 wadding. hand quilting, machine piecing, clip art wreath used as part of the design https://flyclipart.com/laurel-wreath-bay-laur The them going for gold made me think of winning a race and a gold medal. Degree of Adult Involvement : minimal)

QC19 – Medieval Tunic, by Jacquie HarveyBEM, Holt, UK

Quilt Creations – calico, silk fabrics with a mix of DMC threads. Hand applique and hand quilting. This tunic has been made to showcase a “Bayeaux style” Tapestry, designed by Fiona Gowan, being made for the Keep, currently being restored at Norwich Castle. The story follows on from the original, after the Battle of Hastings, depicting the building of the castle (900 years ago).)

YQ24 -Treasure Hunt, by Lillia Bowsher, Maidenhead UK

(Young Quilters (age 14-18) – Cotton, wadding, glue web, threads. Dyeing fabric, applique, screen printing, designing the screen, free motions quilting, binding and finishing. The inspiration for this piece is the pursuit of gold in treasure hunts. A love of the ocean and shades of blue turned this into a water-themed “Going for Gold” piece. I have hand dyed the fabric and screen-printed my desin onto the fabric.)

GR15 – Lullaby of birdland, by The Round Robins, quilted by Joe Bennison, Petersfield, UK

(Group Quilts – patchwork cotton, batik cotton, cotton wadding. Hand applique, long-arm quilting. The centre design is form Focus on Applique, the two borders designed by Christine Thomas (group member). The group appliqued the flowers and some vases. Christine stitched the centre, some flowers in vases and the final border. )

CB2 – Height of Summer, by Laura Forster, Bracebridge Heath, UK

(Complete Beginners – Cotton. traditional piecing and machine quilting. I drew a sketch of this quilt whilest on a zoom lecture with Sheila Frampton – Cooper, organised by the Guild. I was inspired by the colours and abstract nature of her work. I created this piece with lots of diagonals to try and draw the ye around the piece with the lines being pulled into the centre.)

TD35 – Flower Festival, by Sachiko Chiba, Japan

(Traditional Quilts – cotton, knitting wool, thread, embroidery thread, code. Hand applique, hand quilting, hand embroidery, trapunto, machine piecing. I wanted to make this quilt with beautifully placed lilies and roses, two of my favourite flowers. I spent a lot of time on the design, especially rewriting in over and over until I was satisfied with myself. I added an acanthus leaf pattern to make the flowers look even more beautiful.)

MD23 – Spirit of Adventure, by Paula Steel, Chorley, UK

(Modern Quilts – cotton fabrics, wool wadding and Aurifil threads. Curved and striped machine piecing. Matchstick quilting was added, alternating colours for extra texture. Thinking about travelling post Covid and taking inspiration from Art Deco travel posters; I wanted to create a quilt with both movement and clean graphical lines. The fabrics used reflect the oversaturated colours of th posters and hint at a tropical paradise passing by.)

PT55 – Typhoon, by Janneke de Vries-Bodzinga, Netherlands

(Overlay Award Winner for Excellence in Machine Quilting – cotton, silk, angelina, hand dyed fabrics. Needle turn applique, free motion quilted, machine embroidered. Climate Change.)

TD38- fractured Light, by Lynda Jackson, Sheffield, UK

(Overlay Award for Excellence in Longarm Quilting – Radiance fabric, Oakshott fabric, cotton and wool wadding. Piecing designed by me from traditional blocks. Quilting designs by me. Fractured Light gives a nod to an article written by david Dunlop on Fractured Light effects and the different tchnique used by many great artists over the years. It is designed and quilted by myself using tradtional blocks and all freehand quilted on my HQ longarm.

Also Judge’s Choice, by ?)

AT13- In the midnight garden, by Caroline Nixon, Long Compton, UK, £400.00

(Overlay Award for Thread Mastery – silk, wool, hand dyed and vintage threads.all recycled. ecoprint and natural dye on vintage kimono silk. Hand embroidery with hand dyed and and vintage thread. machine embroidery. I create complex patterened cloth using only real leaves and natural dyes. Inspired by the way leaves discharge logwood dye to leave pale prints that glow like white flowers in the night garden. Sustainable processes, all natural and recycled materials. Hinting at life underground as well as above.)

TD57 – China Blue, by Gwenfai Rees Griffiths, Abergele, UK

(Double sided quilt – Overlay Winner for Excellence in Hand Quilting – cotton, polyester wadding. Machine piecing, hand quilted. I have always admired two block quilts which create an illusion of layers. Blue and white colours are firm favourites, the colours of my twin bedroom – so I had to make two! I had intended having them quilted by long arm but when lockdown arrived I decided to hand quilt.)

QG17- Intertwinned, by Jo Avery, Linlithgow, UK

(The Quilters Guild Challenge – cotton fabric, cotton thread, cotton/polyester mix wadding. Improv piecing, improv curves, needle turn applique by hand, EPP, machine turned edge applique. Machine quilting. A joyful celebration of flowers and leaves using improv piecing and applique. The flowers are initial restrained by the traditional block structure but break out to intertwine with each other. the world we share with nature and our relationship with it is intertwined with all our futures.)

TW22 – Golden Days, by Mandy Johnson and Sandy Chandler (second is professional long arm quilter, Cornwall.

(Two Person Quilts – cotton fabrics, pure wool batting. Traditional piecing, hand turned applique, hand painting. hand quided long arm quilting. My first quilt started as a kit from Jo Colwill which I personalised to celebrate life in Cornwall. I replaced some fabrics before creating a floral design along with butterflies. I hand painted the animals and designed the flora and fauna around the border to reflect the wildlife in our garden.)

SC1 – Winners Cup, by Creative Sewing, Ireland.

(Schools and Groups of Young Quilters – Primary – velvet, cotton jersey, felt, satin, wadding, wood. Free motion quilting, beading, embroidery, binding, hand and machine sewing. 3D quilt made by 31 creative sewing irish students. Each child designed and created a medal for someone that has inspired them, Athlete, U-tubers, mum and dada and not forgetting the best pony. The real magic is in the hand writtenmessages on the back of each medal, Real stories of “Going for Gold”. Degree of Adult Invovement: minimal.)

SC5- Going for Gold, by Shenley Brook End School, Milton Keynes, UK

(Secondary Schools – dyed cotton, dyed polyester satin, foil, assorted threads. Procion “crinkle”dyeing. Disperse dyeing. Hand sewing. machine embroidery. “The students, almost unanimously, decided to take inspiration from the gold collecting dragon in JRR Tolkien’s “The Hobbit” Each of them designed their vision of the quilt and they voted for the design they thought would work the best, adding a 3D element for further impact.)

Viewers’ Choice is still open for voting on the FOQ website.

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Festival of Quilts 2022 – Part 5

Group Quilts – sponsored by Bombay Stores Fabrics – a single quilt made by more than 2 makers.

GR37 -Being Together 2022, by Quilt Academy at Bell House,London, UK, £400
GR38 – Life’s A Beach, by Cabin Crew, Woolpit, UK- Judge’s Choice by Angela Seabrook
GR39 – Here Comes the Sun, by Tegendraads, Netherlands
GR36 – East Clayton Farm panels 1 & 2, by Steyning So and Sews
GR7 – “Many hands, Many hugs…”, by Quilts for CareLeavers’ Block Drive Group , Altringham, UK
GR10- Gustav Klimt’s Tree of Life, by Wrekin Creative Textiles Group
GR42 – Four Nations, by Colemore Quilters, Alton UK
GR34- C-scape, by Edinburgh Modern Quilt Guild
GR43 – Diamonds are Forever, by Chichester Quilters and Unknown Designer
GR31- The road to somewhere, by The London Modern Quilt Guild
GR41 – Missenden Weekenders Rippling Through The Seasons, by Missenden Weekenders, Crayford, UK
GR50- Jubilee Medallion Quilt, by Suzanne Campion & Leisa White ( 115 overseas &UK contributors)
GR49- Myr v Ukrayni (Peace in Ukraine), by Oxfordshire Modern Quilt Guild

Two Person Quilts – sponsored by Make + Believe Fabrics – made by two makers sing any technique, to include quilting (hand, machine, long-arm or a combination).Participants must state whether their quilt is the result of pure collaboration or was professionally long-armed. The services of the same professional quilter may be used by more than one entrant in this category.

TW10 – Nested, by Margaret McDonald and Susan Campbell (2nd is professional long-armer), Australia
TW14- 36 Allbrook Hill, by Tansy Martin and Maggie Breakspear (professional long armer), Canterbury, UK
TW33- Sir Gawain and the Green Knight, by Catharine Millar and Tim Millar (collaboration), Castle Cary, UK
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FOQ – Part Four

Novice Quilts – sponsored by Cotton Patch. Entrants to this category should have been quilting for fewer than 3 years. Pieces entered into this category should have been completed within the last 2 years and must not have been oreviously entered as part of any event, exhibition or gallery. Entrants for this category should not hold a formal qualification in a textiles or related subject.

NV18 – Burning Pain Means I Won’t Finish Th, by Fiona Radley, Beeston, UK

NV5 – Hogwarts will always be there, to welcome you HOME, by Martine Ferment’s – Graveland, Netherlands.
NV23- Mind your Q’s , by Lauren Stoner, Nottinghma, UK

More Modern quilts.

MD50- Zhong Zheng, By Georgia Bossan Studio, Greenwich, UK, £2850

MD47- Strings of Shapes, by Fiona Macauley Davies, Heswall, UK, £150

detail of MD46 – Journey to the Centre of a Flower, by Jo Avery, Linlithgow, UK

Onto Art Quilts, sponsored by Maderia. Quilts with a strong visual impact and a high quality of execution designed to be displayed as artwork and communicating an idea, emotion or concept through the medium of textile and stitch.

AT34 – Northern Kights – Ribbons of Light, by Louise Jessop, Ashford, UK

AT54 – Homebound 2020-21, Ms Rose Thorn, Cardigan, UK
AT55 – Butterfly Tail, by Ayfer Akeshilri Bickford, Turkey
AT51 – From Rubble and Shards, by Alice Jones, Ivybridge, UK

AT50 – Home, by Linda Rose, Gateshead, UK

AT48- Just Being by Marianne Mohandes, Newbury, UK

AT46 – Disturbance, by Helen Creasey, Surbition, UK

AT44- Finding yellow in Shetland and Orkney, by Gillian Travis, Triangle, UK

AT43- Lockdown: 100 days of embroidery quilt, by Tanya Shoop, London UK

AT42- Save the Trees, by Hedva Meroz, Israel. Judge’s Choice by Lisbet Borggron(?)
AT30 – Say No to War, by Juliet Flockhart, Gullane, UK

AT52- Artefact 4, by Leah Higgins, Eccles, UK, £2,4000.

AT53 – Reflections, by Mary Baker, Storrington, UK

AT1 – Cotton fabric and batting, by Simone de Haan, Netherlands, Judge’s Choice by ?

AT28 – Rockfall, by Liz Heywood, Eastleigh UK, Judge’s Choice by Asun Cauhe

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FOQ 2022 – Part Three

Pictorial Quilts were sponsored by Juki – quilts depicting a scene or subject, eg: people, animal, flowers etc as the main body of the quilt. A figurative or representational piece.

PT6 – A Unique-orn, by Helen Creasey, Surbiton, UK
PT57 – #nevertrustatory, by Christopher English and an unknown maker, Huddersfield, UK
PT56 – Long Shadow, by Gail Thels, London, UK
PT24 – Serrano Uno Andalusian, by Grazyna Rsyzawa, Poland

PT26 – Rain at Sunrise, by Sarah Entsminger, US, Judge’s Choice by Steve Lockie

PT27 – NIVA- Japanese Garden, by Lynne Pretty, Bury St Edmunds, UK

PT32 – The Long Goodbye by Lea McComas, US, £3,995
PT35 – Murooj, by Tentmakers of Cairo, Hastings UK
PT 34- Stardust Mothers, by Luana Rubin, USA

PT41 – Showtime: The 4 Seasons, by Pascale Michalski, Dartford, UK
PT39 – Mischief Managed, by Georgina Ketley, Northampton, UK

PT50- Big Frank, by Jane Hawarth, US
PT44 – Oh, My Dear, by Jingook Yang, South Korea
PT44 (above)
PT54- My crafting journey, by Fiona Jones, Derby, UK

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FOQ 2022 – part 2

The Minature Quilts class was sponsored by babylock, with a maximum size of 30cm on the longest side. Notoriously difficult to photograph, and the busiest with viewers, I only took 2 pics of my favourites.

MN36- The Highland Cow, by Kimberley Arnold, Swansea UK
MN40 – Stars, by Nadia Angelotti, Italy

Next are the Modern Quilts, sponsored by Schmetz Needles. (For quilts which are minimalist with clean, modern design and a strong visual impact. They often use asymmetry,improvisational piecing, a reinterpretation of traditional blocks or the lack of a visible block structure. A feeling of space is often achieved by the use of negative space. They are machine or hand quilted in a way that is sympathetic to the design.)

MD21- Linework, by Cait Lisle, Ely, UK
MD39 – Black, White and Highlight, by Kelly Orr, Innerleithen, UK
MD 38 – War. Fear. Pain. by Ludmila Badaeva, London, Uk
MD60 – Modern Mondrian, by Elizabeth Christie, Taunton, Uk
MD 67- Fractured Skull Quilt, by Helen Creasey, Surbiton, Uk
MD66 – Glitter Ball, by Jo Westfoot, Hartley Wintney, UK
MD65 – Broken Star, by Nicole Rollo, Holsworthy, UK
MD53 – It’s a lot quilt , by Tracey Aplin, Deal, UK

MD52 – Give and Take, by Mary Cunningsworth, Canterbury, UK

Traditional Quilts Class.

TD61 – It’s a lot Christmas, by Tracey Aplin, Deal UK
TD53- Borrowed From Boro, by Christine Green, Denton, UK
reverse of TD56 (below)
TD56- Midsummer Harvest Quilt, by Deborah McGuire, Little Kimble, UK – Judge’s Choice by Jutta Hufnagel

TD69 – Bali Garden, by Liz Coleman, Folkestone, UK

TD66- Hand ‘Sown’, by Emma Shorten, Norwich, UK

TD39 – Summertime, by Claire Wallace, South Africa
TD44 – British Sew-a-Row Jubilee Quilt – Jo Westfoot, Hartley Witney, UK

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Festival of Quilts 2022 – Part One

Been a very long time since I posted anything so having to relearn how it works.

I was very happy to visit Festival of Quilts finally this year. I had planned to visit in 2020, but that went online. Last year, with added space for social distancing, I decided that it was possibly just too much walking involved. This year, that wasn’t such an issue and the extra space was a delight! Birmingham is about a 3-4 hr drive from us so husband and I drove up the day before, visited Calke Abbey and Ashby de la Zouch, then stayed overnight in a b&b 10 minutes away.

Tickets this year had a timed entry but very flexible and no queuing for entry, just straight in and oh, my goodness, the competition quilts were straight in front of us! All displayed as beautifully as usual, with lovely big spaces so I was able to stand back for viewing as well as getting up close to inspect details. I met several members of Oast Quilters within minutes, with Tracey Alpin actually on duty as a Quilt Angel near one of her own entries. Several members had entries this year and it was fun looking for them, plus seeing lots which I recognised from IG.

As I was on my own this year and had no plans to meet up, I felt very relaxed about viewing and took a few hours to wander the aisles of entries. That isn’t to say that I had no conversation all day – quilters tend to be quite chatty while looking at quilts!

entry CT70 – Butterfly Blocks by Louise Bell Quilts,Burwash UK £1,700

CT71 – Piecing Together Louise Gold’s Career – Emma D Shane, Richmond UK
CT72 – Wisteria by night – Masami Shige Lee, Japan Judge’s Choice by Paula Rafferty
CT73 – Repurposed ii – Sixty Four, by Sandra Newton, Kenninton, UK – Judge’s Choice by Marian Caspers
CT76 – We have more in common, Than sets us apart – Esther Pollard, Brandside, UK

CT61- Dystopia Rouge – A Series of Crewel Jokes – Alison Bowers, Corwall + Isles of Scilly, UK

CT63 – I See Strong Women, by Jane Varnall, Arlesford, UK
CT65 – Johnson out now – @fullenglish, Huddersfield, UK
CT 67 – Don’t Ask! – Mary Mayne, Dunstable, UK, Judge’s Choice by Andrea Ashwell
CT48- Gaja – sylviaquiltartist, Poland,£1,000
CT49- Find a Memory – SU JIN KIM, South Korea
CT50- Avant-garde by Lena Meszaros, France
CT51 – Reclaimed Blue Log Cabin by Hannah Thompson, Brackley, UK
CT55 – Circles of Discovery, by Greta Fitchett, Derby, UK
CT56 – Quarantine Quilt, by Joanna Weavering, St Leonards On Sea, UK
CT40 -Golden Threads of Life, by Lynda Jones, Droitwich Spa, Uk
CT39 – The Seekers, by Samantha Boot, King’s Somborne, Uk
CT35 – Dragonfly Summer, by Janice Gunner, Clifton, UK
CT33 – Bee Quilt, by Anne Varley, Wellington, Uk

CT32 – Tigers and Tulips, by Penelope Jeffries, Ashford, UK

CT29- The opposite of hope is not despair , by Sarah Humpreys, Leeds, UK

That’s part one of Contemporary Quilts, which was sponsored by Janome.

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Eliza’s Star

Image

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Bright Star

Bright Star

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Meet Scarlett!

Nine days of hard graft but here she finally is! And I sincerely hope that my darling daughter does not ever want to make another one….ever…..

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Young Quilters

 Isabella went to Young Quilters in Dartford yesterday, which is an 80 mile round trip for us but she really enjoys it. This is the fantastic bag she made this time, complete with spider!

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